Part if the ifa technician team
Martin Edelmann is part of the technical team of the EVROVIZION project. He is an architect and carpenter. His work focuses on art exhibitions worldwide, and he offers technical consultation, planning and support services, and art transportation design for new art exhibitions. He also works as a constructor of models and prototypes.
Martin Edelmann trained as a carpenter and then studied architecture at the Bauhaus University Weimar, graduating in 2005. He began freelance work in 2001. Over the years, he has lived and worked in many different locations at home and abroad. Alongside his work in his architecture studio, he can also be found in his workshop making architectural models and prototypes. To date, he has been the technical manager for three ifa touring exhibition projects. This includes the design, planning and implementation of transporation packaging. Edelmann coordinates exhibitions worldwide, and also works in the fields of maintenance, repairs and restoration.
2009 Boxing for the exhibition Young German Architects, ifa, Stuttgart
2010 Model construction for the exhibition: Joseph Maria Olbrich; Institut Mathildenhöhe, Darmstadt
2011 Prototype construction for a swimming platform made of sustainable raw materials; NFK AG Leichtbau, Berlin
2013 Restoration for the exhibition Social Fabrics, Kitzinger, Filderstadt
2014 Project management for the reconstruction of the library at the Goethe-Institut Warsaw
2015 Exhibition coordination Germany in a Suitcase, Goethe Institut Warsaw
2018 Technical management for the exhibition The Whole World a Bauhaus, ifa, Stuttgart
2019 Technical management for the exhibition An Atlas of Commoning, ifa, Stuttgart
2020 Model construction for House of One, Kuehn Malvezzi Architects, Berlin
Kunstpreis der Böttcherstraße in Bremen 2020
The Kunsthalle Bremen presents ten promising positions in contemporary art. Renowned curators such as Johan Holten, Bonaventure Soh Bejeng Ndikung and Bettina Steinbrügge have nominated ten artists from German-speaking countries, whose works can be seen in an exhibition at the Kunsthalle Bremen from August 29 to November 1, 2020. The nominees included also artists from the EVROVIZON project: Janine Jambere, Henrika Naumann and Nevin Aladag
Selma Selman - Risk Change
*In 2018, I was part of the third international interdisciplinary art exhibition Personal, as part of the project Risk Change for which I received the White Aphroid Award for my works Dangers of the Body, The Body in Danger, Viva la Vida We Who Are Dreaming of. As part of the Risk Change project, my work was a part of My Art Is My Reality exhibition at the Museum of Modern and Contemporary Art, Rijeka (CR), curated by Sanja Kojić Mladenov. The Risk Change project gives a chance for those artists who genuinely GIVE so much attempt for change of society while using art, technology, and mobility. Therefore, it allows us to think outside of the box and make sure that we can have a better future if you all respect those categorized as others. *Selma Selman
Emilija Škarnulytė at Kunsthaus Pasquart
EMILIJA ŠKARNULYTĖ – Sunken Cities at Kunsthaus Pasquart, 3 July – 29 August With Sunken Cities (2021), Emilija Škarnulytė creates an immersive film environment in the Galeries, in which the different rooms function as a time-line. She produces the effect of total immersion in a multi-dimensional landscape in which our gaze is duplicated by the mirrored ceiling and we simultaneously become witnesses of a future, contemporary and past world. The artist opens the perspective with this black, reflective surface, allowing us to experience it as a visual horizon that looks like an ocean of liquid oil.
Nevin Aladag, Kunstforum, Bd. 262
Kunstforum, Bd. 262 Borderlines **Nevin Aladağ** Mustergültiges für unsere Zeit Ein Gespräch von Sabine Maria Schmidt Nevin Aladağ gehört aktuell zu den international gefragten Künstlerpositionen aus Deutschland. 1972 geboren im türkischen Van, ein Jahr später umgesiedelt nach Stuttgart, ausgebildet in München, ansässig in Berlin, steht sie für eine Position, die fern politischer Identitätsdebatten freie künstlerische Ausdrucksmöglichkeiten findet. In zahlreichen Werkserien untersucht sie die Kraft und den Erfindungsreichtum von kulturellen Transfers. Ihre Arbeiten handeln von Selbstbestimmung, Rollentausch, Fremdwahrnehmung und Multiperspektivität. Klischees und vorgeformtes Wissen werden grundlegend hinterfragt. Und sie nutzt die Poesie von Stimmen und Klängen, die sie unterschiedlichsten Körpern und selbstgebauten Instrumenten entlockt.