Curator of the EVROVIZION project
Sabina Klemm is, together with Sanja Kojić Mladenov, the curator of the exhibition of the EVROVIZION project. the curator of the EVROVIZION project. She is an art historian, curator, literary scientist and art educator. Since 2008 she has been a project manager of the ifa touring exhibitions.
Sabina Klemm (born 1974 in Brčko, Bosnia and Herzegovina) is a project manager at ifa. She is an art historian, curator, art educator and cultural manager. Since 2008, Ms Klemm has been project manager of the ifa touring exhibitions. She studied art history and Italian studies at the University of Stuttgart. In 2005 she completed her M.A. with her master's thesis on the photographer and filmmaker Robert Frank. In the same year, Ms. Klemm was assistant to the artistic director at the Künstlerhaus Stuttgart and in 2005–2006 she was a fellow at the Akademie Schloss Solitude. In 2006 she curated an exhibition with the young Bosnian artists TIPIC_NO, which was shown at the Künstlerhaus Stuttgart. From 2006 to 2009, Ms Klemm was director of the Filmwinter Stuttgart Film Festival and the Media Space Festival. She has also worked as an executive producer in the field of theatre and as an art educator. As ifa project manager, Ms Klemm has produced several exhibitions, workshops and symposia, including prêt-à-partager, Where We Meet, FUTURE PERFECT, DAKAR/BERLIN, and An Atlas of Commoning: Places of Collective Production.
Kunstpreis der Böttcherstraße in Bremen 2020
The Kunsthalle Bremen presents ten promising positions in contemporary art. Renowned curators such as Johan Holten, Bonaventure Soh Bejeng Ndikung and Bettina Steinbrügge have nominated ten artists from German-speaking countries, whose works can be seen in an exhibition at the Kunsthalle Bremen from August 29 to November 1, 2020. The nominees included also artists from the EVROVIZON project: Janine Jambere, Henrika Naumann and Nevin Aladag
Selma Selman - Risk Change
*In 2018, I was part of the third international interdisciplinary art exhibition Personal, as part of the project Risk Change for which I received the White Aphroid Award for my works Dangers of the Body, The Body in Danger, Viva la Vida We Who Are Dreaming of. As part of the Risk Change project, my work was a part of My Art Is My Reality exhibition at the Museum of Modern and Contemporary Art, Rijeka (CR), curated by Sanja Kojić Mladenov. The Risk Change project gives a chance for those artists who genuinely GIVE so much attempt for change of society while using art, technology, and mobility. Therefore, it allows us to think outside of the box and make sure that we can have a better future if you all respect those categorized as others. *Selma Selman
Emilija Škarnulytė at Kunsthaus Pasquart
EMILIJA ŠKARNULYTĖ – Sunken Cities at Kunsthaus Pasquart, 3 July – 29 August With Sunken Cities (2021), Emilija Škarnulytė creates an immersive film environment in the Galeries, in which the different rooms function as a time-line. She produces the effect of total immersion in a multi-dimensional landscape in which our gaze is duplicated by the mirrored ceiling and we simultaneously become witnesses of a future, contemporary and past world. The artist opens the perspective with this black, reflective surface, allowing us to experience it as a visual horizon that looks like an ocean of liquid oil.
Nevin Aladag, Kunstforum, Bd. 262
Kunstforum, Bd. 262 Borderlines **Nevin Aladağ** Mustergültiges für unsere Zeit Ein Gespräch von Sabine Maria Schmidt Nevin Aladağ gehört aktuell zu den international gefragten Künstlerpositionen aus Deutschland. 1972 geboren im türkischen Van, ein Jahr später umgesiedelt nach Stuttgart, ausgebildet in München, ansässig in Berlin, steht sie für eine Position, die fern politischer Identitätsdebatten freie künstlerische Ausdrucksmöglichkeiten findet. In zahlreichen Werkserien untersucht sie die Kraft und den Erfindungsreichtum von kulturellen Transfers. Ihre Arbeiten handeln von Selbstbestimmung, Rollentausch, Fremdwahrnehmung und Multiperspektivität. Klischees und vorgeformtes Wissen werden grundlegend hinterfragt. Und sie nutzt die Poesie von Stimmen und Klängen, die sie unterschiedlichsten Körpern und selbstgebauten Instrumenten entlockt.